Livets lapidarium
"En katt sover i solen och världen består utan att behöva vittnesmålets bokstäver. Ty inget skulle ha framgått av dem utom insikten att det är synd om oss människor.”
onsdag 28 januari 2026
The Geijer Affair: When Olof Palme Covered Up Brothel Visits and Pedophilia.
tisdag 27 januari 2026
A Journey Through Time, Art, and the Self: Stendhal’s Promenades dans Rome
onsdag 14 januari 2026
Black Lamb and Grey Falcon by Rebecca West
Published in 1941, on the precipice of a cataclysm that would engulf her subject, Rebecca West’s Black Lamb and Grey Falcon: A Journey Through Yugoslavia is far more than a travelogue. It is a colossal, 1,200-page meditation on history, civilisation, violence, and the eternal struggle between the creative and destructive impulses of humanity. Born from two extended trips to Yugoslavia in 1937, the book uses West’s journey, accompanied as she were, by her husband, her guide Constantine; a Serbian poet and diplomat, and his wife Gerda, all along as a narrative scaffold to support an immense historical and philosophical inquiries. At its heart lies a central, urgent thesis: to understand the turbulent, fractious, and seemingly incomprehensible present of the Balkan region, one must undertake a deep, unflinching excavation of its past. For Rebecca West, the Balkans were not a fringe “powder keg” but the very vessel where the forces shaping European history; empire, faith, nationalism, sacrifice, and tyranny, have been most violently and revealingly forged. The present, in all its complexity and foreboding, is seen as the direct and logical, if tragic, product of accumulated centuries, a whole Landscape as a Pergament of written history. Join me in a look into her interpretations.
onsdag 3 december 2025
Friedrich Strindberg’s Die Juden in Berlin
The Illusion of Coexistence and the Rise of “Visibility”
Strindberg begins by sketching the landscape of this coexistence. For decades, Jews in Berlin were not a distant, unknown entity. They were neighbours, doctors, lawyers, shopkeepers, bankers, artists, and journalists. They were both integrated and distinct, while often maintaining their own religious and social traditions. This period of relative peace, however, creates the very conditions for the subsequent backlash. Assimilation and success, rather than leading to full acceptance, can paradoxically heighten the minority’s visibility in the eyes of the anxious majority. As Strindberg illustrates, when a minority group is confined to a ghetto, physically and socially segregated, it remains an object of mystery and sometimes fear, but it is not a daily competitor. Its successes are contained. However, when the walls of the ghetto come down—both literally and figuratively—the minority enters into direct competition with the majority across a broad spectrum of fields. The Jewish lawyer is no longer just a lawyer for Jewish clients; he is a rival to the non-Jewish lawyer. The Jewish department store owner is not just a merchant in a Jewish quarter; he is a threat to the small, traditional shopkeeper. This increased visibility and competition transform the minority from a passive, peripheral group into an active, perceived agent within the majority’s world.Strindberg masterfully captures how this visibility is then selectively interpreted through a lens of prejudice. The successes of individual Jews are no longer seen as individual achievements but as evidence of a collective, tribal success. The ambitious Jewish industrialist is not a singularly driven man; he is a representative of “Jewish capitalism.” The critical Jewish journalist is not an independent intellectual; he is a mouthpiece for “Jewish influence” in the press. This process of re-tribalization, imposed by the majority, erases individuality and creates a monolithic, and often menacing, image of the minority. The decades of coexistence are thus re-framed not as peaceful partnership, but as a long, slow process of infiltration and takeover.
Economic Anxiety and the Zero-Sum Fallacy
At the heart of the shift Strindberg documents is economic dislocation. The late 19th and early 20th centuries in Germany were a period of rapid industrialization, urbanization, and financial volatility. The old feudal order had crumbled, and a new, unstable capitalist system was taking its place. For the emerging middle class—the Mittelstand of artisans, small business owners, and white-collar workers—this new world was fraught with peril. Bankruptcy, unemployment, and a loss of social status were very real fears. Strindberg shows how these economic anxieties found a perfect vessel in the figure of “the Jew.” In the popular imagination, which was being actively shaped by a new wave of antisemitic pamphlets and political rhetoric, Jews were depicted as the masters of this new, alienating capitalist system. They were the bankers who controlled credit, the department store owners who drove small shops into ruin, and the stock market speculators who profited from the nation’s instability. This was a powerful, if factually simplistic, narrative. It reduced the immense complexity of modern economics to a simple, emotionally resonant story: our poverty is the result of their wealth.This taps into what social scientists call the “zero-sum fallacy”—the belief that the economic pie is fixed, and that one group’s gain must necessarily be another’s loss. The prosperity of a Jewish family moving into a better neighbourhood is not seen as a sign of general economic growth, but as a piece of the pie taken directly from the plate of the majority. This fallacy is a potent fuel for revolution because it transforms envy into a righteous grievance. The desire to strip the minority of its wealth and position is no longer mere theft; it is reframed as a act of reclamation, of taking back what was “rightfully” ours. The revolutionary energy, therefore, is not initially aimed at the structures of power or capital per se, but at the human faces, the Jewish neighbours, who are symbolically charged with representing those structures.
The Intellectual Armature: Giving Respectability to Resentment
A key insight in Die Juden in Berlin is Strindberg’s attention to the role of intellectuals and pseudo-scholars in providing a philosophical and “scientific” justification for ancient hatreds. He understood that for a revolution in sentiment to take hold among the educated and middle classes, it could not remain a mere intuitive grumble; it needed an intellectual armature. This was the era when racial theory was being popularized. Antisemitism, which had previously been primarily religious (a rejection of Judaism), was being reconfigured as racial (a rejection of Jewish “blood” and inherent characteristics). Writers and academics began to produce tracts that claimed to “prove” the biological inferiority or the parasitic nature of the Jewish race. They spoke of a “German spirit” (Deutschtum) that was noble, creative, and rooted in the soil, which was under threat from a “Jewish spirit” that was rootless, critical, decomposing, and materialistic.
Strindberg demonstrates how this intellectual poison seeped into the public consciousness. It allowed the average Berliner to believe that their discomfort or resentment was not base prejudice, but a scientifically and philosophically informed position. It elevated their hatred, making it a matter of national and racial duty. To distrust one’s Jewish neighbour was no longer un-Christian or un-neighbourly; it was an act of patriotism, a defense of the Volk. This intellectual framing was crucial for turning social resentment into a revolutionary ideology. It provided a grand narrative—a struggle for the very soul of the nation—that transcended petty personal grievances. It allowed individuals to see themselves as soldiers in a cosmic battle between light and darkness, rather than as participants in a local squabble. This sense of participating in a grand, historic mission is a classic catalyst for revolutionary action, as it sanctifies violence and absolves individuals of moral responsibility.Political Opportunism and the Mobilization of the Masses
Strindberg’s work is acutely political. He observes how established political parties and emerging demagogic movements seized upon this simmering cauldron of economic anxiety and intellectualized resentment. They recognized in the "Jewish Question" a powerful tool for mobilization. For political entrepreneurs, targeting a visible minority is a strategically brilliant, if morally bankrupt, tactic. It is far easier to rally people against a concrete, human enemy than for a complex, abstract economic policy. By pointing to the Jews as the source of all ills—from high interest rates to modernist art to national weakness—politicians could offer a simple solution to a complex world. The revolutionary promise became not the arduous task of reforming economic systems or building new institutions, but the cathartic act of purging the polluting element from the body politic.
Strindberg captures the rhetoric of these agitators. They spoke in the language of hygiene, of cleansing, of healing a sick nation. This radicalize language was particularly effective because it dehumanized the minority, transforming them from neighbours into pathogens, from citizens into viruses. When a group is perceived as a disease, its eradication becomes a public health necessity. This rhetoric was disseminated through newspapers, public beer-hall speeches, and pamphlets, creating a constant, amplifying echo chamber of hatred that slowly drowned out the voices of reason and moderation. This political mobilization creates a powerful feedback loop. As politicians stoke the flames of hatred, their followers become more radicalized, which in turn pushes the politicians to adopt even more extreme positions to maintain their leadership. The center cannot hold, and the public discourse shifts dramatically. What was once considered vulgar and unthinkable—open calls for discrimination, boycotts, or violence—becomes mainstream political talk. This is the pre-revolutionary moment: when the norms of civil society have broken down, and the language of extermination begins to replace the language of debate.The Social-Psychological Engine: Scapegoating and the Shattering of Empathy
Underpinning all these factors—economic, intellectual, and political—is a fundamental social-psychological mechanism that Strindberg’s narrative lays bare: scapegoating. The theory of the scapegoat, as elaborated by thinkers like René Girard, posits that societies under stress have a tendency to unite by channeling their collective anxieties and aggressions onto a single, vulnerable individual or group. The sacrifice or expulsion of this scapegoat creates a temporary, cathartic sense of purification and social cohesion.
Die Juden in Berlin is a textbook illustration of this process. The rapid modernization of Germany created profound anomie—a sense of normlessness and alienation. Traditional hierarchies, values, and communities were dissolving. In this climate of existential dread, the Jewish minority, which was both inside and outside the mainstream, became the perfect scapegoat. They were blamed for the very changes that were causing the anxiety—the rise of the city, the anonymity of modern life, the collapse of tradition, the volatility of the market.
Strindberg shows how this process requires the systematic shattering of empathy. The decades of living together had, for many, built a reservoir of personal familiarity and even friendship. For the revolution in hatred to be successful, these personal bonds had to be severed. This was achieved by the relentless propaganda that insisted the “real” Jew was not the kindly Dr. Goldstein next door, but the abstract, sinister “Elders of Zion” pulling the strings of global finance. The personal was rendered irrelevant by the political. The individual was swallowed by the stereotype. Neighbors began to look at each other not as fellow human beings, but as representatives of abstract forces. The trust that is the glue of any society was replaced by a pervasive suspicion. This breakdown of micro-level social trust is the final stage before revolutionary violence becomes possible. When you no longer see your neighbour as a person, but as a mask for a demonic force, then harming them ceases to be a crime and becomes a sacred obligation.Conclusion: The Unheeded Warning
Friedrich Strindberg’s Die Juden in Berlin is a work of profound and tragic insight. It is a map of a society’s descent into a collective madness, a madness that was not inexplicable but was constructed piece by piece. The revolution he chronicles was not, at first, a violent uprising in the streets (though it would contain that), but a revolution in the human heart—a deliberate, orchestrated campaign to replace empathy with antipathy, coexistence with conspiracy, and civil discourse with a demand for purge.
The book’s enduring power and horror lie in its demonstration that hatred is not the opposite of coexistence; it is often its perverse offspring. The very proximity and familiarity bred a specific form of resentment that distance and mystery could not. The tools used to foment this revolution—economic fear-mongering, pseudo-scientific racism, political demagoguery, and the destruction of empathy—are not unique to Berlin in the early 20th century. They are a recurring toolkit, a playbook for those who seek power by dividing society.
Strindberg’s work stands as an unheeded warning. It tells us that no society is immune to this contagion. The peace of decades is not a guarantee of future peace; it is a fragile construct that must be actively maintained against the forces of division. The most dangerous illusion is to believe that because we have lived together for so long, we are incapable of turning on each other. Die Juden in Berlin reveals the grim truth: that the path to the pogrom begins not with a mob, but with a whisper, a suspicion, and the slow, deliberate work of building an invisible wall between people who have shared the same city for a lifetime. To read Strindberg is to understand that the preservation of a civil society requires constant vigilance against those who would, for their own gain, teach us to see our neighbours not as allies in a common life, but as enemies in a coming revolution.torsdag 20 november 2025
Of Barricades and Coffeehouses: Christopher Clark’s ‘Revolutionary Spring’ and the Crucible of 1848
In the popular imagination, revolutions are often depicted as inevitable seismic shifts, the explosive culmination of vast, impersonal forces—economic despair, social injustice, intellectual ferment—building to a breaking point over decades. They are portrayed as avalanches, triggered by a single event, roaring down a mountainside with an unstoppable force that sweeps away the old order. This is a comforting, almost geological narrative, one that lends a sense of order and destiny to the chaotic and contingent mess of human history. In his magisterial work, Revolutionary Spring: Fighting for a New World 1848-1849, the eminent historian Christopher Clark meticulously and brilliantly dismantles this very notion. He does not deny the power of the underlying pressures; the “structural preconditions” of industrial change, food scarcity, and political ossification, but he insists that a revolution is not a force of nature. It is, instead, a human artefact, a fragile and feverish construct born from a confluence of words, ideas, and, most critically, a newfound belief in the possibility of change. And as Clark masterfully demonstrates, there was no incubator more vital for forging this belief, for translating abstract grievances into concrete action, than the humble café, the smoky backroom, and the clandestine gathering of a few determined men.
Clark’s book is a monumental achievement, a sprawling yet intricately detailed panorama of the revolutionary wave that swept across Europe in 1848, touching over fifty countries from the Atlantic to the Black Sea. It was a “revolution of the intellectuals,” a phrase Clark interrogates but ultimately vindicates, showing how journalists, poets, lawyers, and students became the architects of insurrection. His narrative is not a single, linear story but a symphony of interconnected movements, a “European phenomenon” that demands a European perspective. He moves with authoritative ease from the barricades of Paris to the constitutional assemblies of Frankfurt and Berlin, from the nationalist ferment of Italy to the complex, multi-ethnic struggles of the Habsburg Empire. The sheer scope is staggering, yet Clark never loses sight of the human dimension, the individuals who found themselves, often to their own surprise, at the center of the storm.The central, pulsating argument of Revolutionary Spring is that 1848 was what Clark terms a “modular” event. It was not a series of isolated, parallel uprisings but a connected, communicative phenomenon. News, in the form of pamphlets, newspapers, and word-of-mouth, traveled along the newly laid railway lines and telegraph wires with unprecedented speed. A victory in Paris did not just inspire radicals in Vienna; it provided them with a ready-made script, a set of tactics, a repertoire of demands, and, most importantly, a tangible sense of momentum. This modularity is key to understanding Clark’s focus on small groups. The revolution was not a single, monolithic entity but a constellation of thousands of local cells, each debating, planning, and acting in conscious imitation of the others. And the nucleus of each of these cells was very often a café, a reading circle, or a political club.
To understand why the café was such a potent revolutionary crucible, one must first appreciate the political landscape of the pre-1848 era, which Clark paints with vivid strokes. This was the world of the Vormärz (the “pre-March” period in German lands) and the Juste Milieu in France; regimes characterized by censorship, political exclusion, and a deep-seated fear of the mob. Assemblies were banned, press freedom was a distant dream, and public political life was stifled. In this climate of repression, the public sphere was driven underground, or rather, into the semi-private, semi-public spaces of the coffeehouse. Here, away from the direct gaze of the police spy (though often not entirely), the disenfranchised intelligentsia and the rising bourgeois professional class could gather.
These establishments were more than just places to consume caffeine; they were the nodal points of a nascent civil society. They offered access to the forbidden fruits of the press, newspapers from abroad, clandestine pamphlets, satirical journals. The act of reading a liberal newspaper in a Viennese coffeehouse, as Clark notes, was itself a political act, a silent declaration of dissent. But the true alchemy occurred in the discussions that this reading sparked. In the Café Aera in Budapest, the Café Central in Vienna, or the innumerable Estaminets of France and Belgium, lawyers, journalists, doctors, and minor nobles would huddle around marble-topped tables, their conversations a low hum of grievance and ambition. They deconstructed the follies of Metternich’s system, debated the philosophies of Hegel and Rousseau, and dreamed of constitutions, national parliaments, and civil liberties.It was in these small, intense groups that the abstract “structural crisis” was given a name, a face, and a solution. A bad harvest was not just a meteorological misfortune; in a café debate, it became evidence of aristocratic neglect and economic mismanagement. Censorship was not just an annoyance; it was an existential assault on reason and progress. Within the echo chamber of like-minded peers, local grievances were synthesized into a coherent, systemic critique. Crucially, these groups were the engines of radicalization. As Clark illustrates, an individual might arrive with a moderate desire for reform, but through the process of nightly debate, of having his ideas challenged and refined, he could leave a committed revolutionary. The café was a space for the performance of politics, where one’s radical credentials were established through the ferocity of one’s rhetoric. It fostered a sense of collective identity and intellectual superiority, the “enlightened” few against the “backward” many of the old regime.
Clark provides a masterful analysis of the mechanics of this process. He shows how these groups were often bound by a culture of male sociability, fueled by wine, tobacco, and a shared sense of intellectual fraternity. They developed their own rituals, their own jargon, and their own hierarchies. They were, in effect, laboratories for building a counter-culture, a shadow polity that stood in direct opposition to the official state. When the spark finally came in February 1848 with the fall of the French King Louis-Philippe, these groups were not caught off guard. They were primed and ready. They had the networks, the communication channels, and the pre-formulated demands. The revolution did not create these groups; it merely provided them with their moment to step out of the coffeehouse and onto the stage of history.
The Parisian case is perhaps the most iconic example. The July Monarchy was notoriously corrupt and exclusive, with a narrow franchise that alienated the professional and intellectual classes. The Parisian café and its close cousin, the secret society (like the Society of the Seasons), were the lifeblood of opposition. Here, republicans like Alphonse de Lamartine and fiery radicals like Louis Blanc honed their ideas. More importantly, it was in these networks that the tactics of insurrection were discussed. When the government tried to ban a political banquet; itself a form of café politics transplanted to a grander venue—it was not a spontaneous mob that reacted, but a coordinated network of journalists, club members, and students who knew how to build a barricade and where to direct the crowd. The “February Revolution” was, in its initial phase, the work of a few thousand determined activists who successfully mobilized the wider discontent of the Parisian populace. The café was their command centre.Clark’s narrative then follows this modular template as it spreads. The news from Paris arrived in Vienna like an electric shock. It was in the coffeehouses that the information was digested, the implications debated, and the courage to act was forged. A group of students and liberal professionals, meeting in these informal settings, drafted the petition that would be presented to the Emperor, demanding press freedom, a constitution, and a representative assembly. When the authorities hesitated, it was this same network that organized the demonstrations that spiralled into full-blown revolution, ultimately forcing the downfall of the seemingly unassailable Prince Metternich. The same pattern repeated itself, with local variations, in Berlin, Milan, Venice, and Prague. In each city, a pre-existing network of café intellectuals and club members provided the initial leadership and the organizational skeleton for the uprising.
However, Clark’s genius lies not only in explaining how these small groups started the revolutions but also in tracing their often-tragic failure to control them. The very qualities that made them effective revolutionaries; their intellectualism, their tendency towards endless debate, their often-divisive ideological purity, rendered them ill-suited for the messy business of governance. The coffeehouse, as a space of limitless possibility, was a poor training ground for the parliamentary chamber, a space of necessary compromise.
This is starkly evident in Clark’s gripping account of the Frankfurt Parliament. This assembly, convened in St. Paul’s Church, was the culmination of the German liberal dream, a gathering of the nation’s “best and brightest,” its professors, lawyers, and writers, many of whom had cut their political teeth in the reading circles and cafés of the Vormärz. Yet, it became a monument to political failure. The delegates, whom Clark describes with a mix of admiration and pity, became embroiled in interminable debates over fundamental rights and the borders of a future Germany. They were, in essence, conducting a café debate on a national scale, drafting a constitution of sublime philosophical coherence but with a fatal disregard for political realities. While they debated the finer points of citizenship, the old powers; the Prussian monarchy, the Austrian Emperor, regrouped, their armies intact. The revolutionaries of the café had won the battle of ideas but were losing the battle for power because they underestimated the enduring strength of the very institutions they sought to replace.
Furthermore, these small, often elite groups frequently found themselves out of step with the broader coalitions they had momentarily led. The revolution of the intellectuals was quickly overtaken by the social question—the demands of workers for economic justice, which often clashed with the bourgeois liberals’ focus on political rights. The nationalist aspirations of German liberals in Frankfurt, for instance, collided with the rights of Poles, Danes, and Czechs, revealing the dark, exclusionary underbelly of their professed universalism. The café radicals, who had spoken so eloquently of “the people,” discovered that “the people” were not a monolithic entity but a fractured collection of classes and ethnicities with competing, often irreconcilable, interests. By the summer of 1849, the revolutionary spring had given way to a bitter winter of reaction. The armies of the old order crushed the republics and parliaments, and the men who had stood on the barricades and in the assemblies were forced into exile, prison, or silent resignation. From a traditional perspective, 1848 was a colossal failure, a “turning point where history failed to turn.”Yet, Clark’s concluding argument is that this verdict is profoundly mistaken. To see 1848 only through the lens of its immediate collapse is to miss its transformative legacy. The revolutions, though defeated, were a seismic political education for Europe. They popularized a new vocabulary of rights, constitutions, and popular sovereignty that could never be entirely erased. They demonstrated the power of mass politics and forced the old regimes to adapt, to incorporate, however reluctantly, elements of the new political reality. The Prussian King would henceforth rule with a constitution, however flawed. Serfdom was abolished in the Habsburg Empire. The genie of nationalism, once unleashed, could not be put back in its bottle, setting the stage for the unifications of Italy and Germany.
And what of the small groups in the cafés? Their legacy was the most enduring of all. They had proven that a handful of committed individuals, armed with little more than a printing press and a powerful idea, could shake empires. They had created a template for dissent, a model of political organization from below that would be studied and emulated by future revolutionaries, from the Communards of 1871 to the Bolsheviks of 1917. The coffeehouse as a political space was permanently enshrined in the European revolutionary tradition.
Revolutionary Spring is, without question, a masterpiece of historical scholarship. Clark’s prose is lucid, often elegant, and he possesses a remarkable ability to weave complex theoretical insights into a compelling narrative without ever losing the reader. The book is dense with detail, yet it never feels burdensome, because every anecdote, every biographical sketch, serves the larger argument. His character portraits, of the tragic poet-politician Sándor Petőfi in Hungary, the ambitious Camillo di Cavour in Piedmont, the conflicted Frederick William IV of Prussia, are sharp and psychologically astute, reminding us that history is, at its core, the story of human beings making choices under immense pressure.
In the end, Christopher Clark has not merely written a definitive history of 1848; he has written a profound meditation on the nature of revolution itself. Revolutionary Spring is a powerful corrective to the deterministic view of history. It argues that change is not inevitable, but neither is stasis. The old order, for all its apparent solidity, can be hollowed out from within by the relentless drip-drip of words and ideas, often spoken in whispers over coffee cups. Revolutions begin not when the masses are starving, but when they stop believing in the legitimacy of the powers that be, and start believing in the possibility of an alternative. And as Clark so brilliantly shows, that fragile, world-shattering belief is most often kindled in the minds of a few, gathered in a small room, daring to imagine a new world into existence. In an age where public discourse is increasingly fragmented and yet globally interconnected, where small online communities can wield outsized influence, the lessons of 1848, as rendered in this magnificent book, feel more urgent and resonant than ever.måndag 17 november 2025
torsdag 13 november 2025
Command and Control
The "illusion of safety" that Schlosser exposes is the comforting but false belief that these ultimate instruments of destruction can be perfectly managed indefinitely. Command and Control argues that the history of the nuclear age demonstrates the opposite: that the weapons themselves introduce a permanent and unmanageable risk into the world. It is a sobering reminder that the gravest threat to the United States has often come not from a foreign enemy, but from the very weapons designed to protect it. The book stands as an essential and urgent work, a cautionary tale for the present and future, demanding a clear-eyed recognition of the risks that remain embedded in the foundation of modern global security.




